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Definition 2024
heptameride
heptameride
English
Alternative forms
- (music) eptameride
Noun
heptameride (plural heptamerides)
- A thing having seven parts or divisions.
- 1914, The Saturday Evening Post, vol. 186, iss. 4, page 45.
- The Greeks had Seven Wise Men and Seven Sleepers, and the Pythagoreans saw magic in all the heptamerides.
- 1914, The Saturday Evening Post, vol. 186, iss. 4, page 45.
- (chemistry, dated) A seven-unit oligomer.
- 1930, British Chemical Abstracts: Part A, Pure Chemistry, page 317, ISSN 0365-9259.
- The residue remaining after the separation of the heptameride is colourless and very viscous; there appears little prospect of isolating higher polymerides [...]
- 1938, Albert Ernest Dunstan, Benjamin Talbott Brooks (eds), The Science of Petroleum, vol. 4, page 2830, OCLC 313182716.
- Fractionation of the liquid polymers gave compounds up to the heptameride.
- 1939, British Chemical Abstracts: Part A, Pure Chemistry, page 602, ISSN 0365-9259.
- From available v.d. data the existence of polymerides is shown and the relative amounts of various associated forms up to the heptameride have been calc.
- 1930, British Chemical Abstracts: Part A, Pure Chemistry, page 317, ISSN 0365-9259.
- (music, obsolete) An interval of pitch equal to 1/7 of a meride, or 1/301 of an octave.
- 1984, Joseph Sauveur (trans. Rudolf Rasch), Collected Writings on Musical Acoustics: (Paris 1700-1713), page 28, ISBN 9070907089.
- Sauveur divided the heptameride into two demi-heptamerides. One demi-heptameride is 1/602 of an octave, with frequency ratio 1:21/602 = 1.001 154 or 1.993 cents, very nearly 1/12 of a ditonic comma.
- 2007, Translator's notes in: Hermann von Helmholtz, On the Sensations of Tone, page 437, ISBN 1602066396.
- As 301 = 7 × 43, he called each degree a heptameride, which he made = .03987 of an (equal) Semitone.
- 2008, Patrizio Barbieri, Enharmonic: Instruments and Music 1470-1900, page 378, ISBN 8895203143.
- Sauveur stresses that the difference between the pure 5th (176 heptamerides) and the tempered 5th (175) is equal to 1: so the temperaments of all the other intervals will also be multiples of 1:
- 1984, Joseph Sauveur (trans. Rudolf Rasch), Collected Writings on Musical Acoustics: (Paris 1700-1713), page 28, ISBN 9070907089.