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Webster 1913 Edition


Metalloid

Met′al-loid

,
Noun.
[L.
metallum
metal +
-oid
: cf. F.
métalloïde
.]
(a)
Formerly, the metallic base of a fixed alkali, or alkaline earth; – applied by
Sir Humphrey Davy
to sodium, potassium, and some other metallic substances whose metallic character was supposed to be not well defined.
(b)
Now, one of several elementary substances which in the free state are unlike metals, and whose compounds possess or produce acid, rather than basic, properties; a nonmetal;
as, boron, carbon, phosphorus, nitrogen, oxygen, sulphur, chlorine, bromine, etc.
, are metalloids.

Met′al-loid

,
Adj.
1.
Having the appearance of a metal.
2.
(Chem.)
Having the properties of a nonmetal; nonmetallic; acid; negative.

Webster 1828 Edition


Metalloid

MET'ALLOID

,
Noun.
A name sometimes applied to the metallic bases of the alkalies and earths.

Definition 2024


Metalloid

Metalloid

See also: metalloid

German

Noun

Metalloid n (genitive Metalloids or Metalloides, plural Metalloide)

  1. metalloid

Declension

metalloid

metalloid

See also: Metalloid

English

Noun

metalloid (plural metalloids)

  1. (chemistry) An element, such as silicon or germanium, intermediate in properties between that of a metal and a nonmetal; especially one that exhibits the external characteristics of a metal, but behaves chemically more as a nonmetal.
  2. (chemistry, obsolete) The metallic base of a fixed alkali, or alkaline earth; applied to sodium, potassium, and some other metallic substances whose metallic character was supposed to be not well defined.
    (Can we find and add a quotation of Sir Humphry Davy to this entry?)

Translations

Adjective

metalloid (comparative more metalloid, superlative most metalloid)

  1. (informal) Characteristic of the metal music genre.
    • 1997, CMJ New Music Monthly (number 43, page 12)
      Graham Massey of 808 State turns a Björkian moan into a vibrating siren and powers his strangely metalloid version of "Army Of Me" with it; the Brodsky String Quartet turns "Hyperballad" into a stately 3-D chess game.
    • 2004, Gene Santoro, Highway 61 Revisited
      It expanded from bleary delay rippling with looped phrases to embrace molten metalloid raunch and blues grit, acoustic guitars and pedal steels.